The Story of
San Pedro Playhouse

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OUR HISTORY

Early Years | Before 1912 TO 1949

San Pedro Springs Park, named in 1709 by Spanish missionaries, is the second-oldest public park in the United States. It became a public space in 1852, offering amenities like pavilions and a zoo. In the late 19th century, it was developed with features like ponds and a racetrack, though it faced decline in the 1890s. Mayor Bryan Callaghan revitalized the park, reopening it in 1899. The park evolved throughout the 20th century with additions like a swimming pool and tennis courts and was added to the National Register of Historic Places in 1979. The San Antonio Little Theatre, later the San Pedro Playhouse, began as the San Antonio Dramatic Club in 1912 and became a cultural cornerstone by 1949.

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1709
San Pedro Park's Origin
San Pedro Springs Park in San Antonio, Texas, is one of the oldest parks in the United States, with a history dating back thousands of years. The area was originally inhabited by the Payayas Indians and was known as Yanaguana before European explorers arrived in the late 1600s. The park was named "San Pedro Springs" in 1709 by Spanish missionaries. It became a public space in 1729 when the Spanish government officially designated it as such. The springs were an essential resource for the indigenous peoples, including the Coahuiltecan tribes like the Payaya, Paguame, and Jarame, and continue to hold cultural significance today​.
1709
1912
San Antonio Little Theatre is Formed
The organization that would become the San Antonio Little Theatre was established in 1912 as the San Antonio Dramatic Club. This early theatre group aimed to cultivate an appreciation for dramatic arts within the local community. Over the years, it evolved and expanded its activities, reflecting the growing interest in theatre and the arts in San Antonio.
1912
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1925
From Piles of Ruins to Pillars of Theatre
As a faithful replication of the Old Market House constructed in 1858 and razed in 1925 for a river channel bypass, it boasts a neo-classic facade that hearkens to San Antonio's frontier days. Fittingly, it was two artists who organized the San Antonio Conservation Society in an effort to halt the destruction of the historic Old Market House. Their crusade failed, but the city agreed to preserve the beautiful facade for use in a future fine arts auditorium. When the time came to retrieve the stonework, however, it was found to have been dumped in a jumble with parts of other structures in an old quarry and unusable. The architects painstakingly labored to reproduce the original facade by tracing profiles, calculating dimensions of broken pieces and consulting old photographs.
1925
1927
Establishing the Arts in San Antonio
On April 6, 1927, the organization was formally incorporated as the San Antonio Little Theatre. This incorporation marked a significant milestone, allowing the theatre to establish a more structured presence and secure funding for future productions. The San Antonio Little Theatre quickly became a cornerstone of the local arts scene, providing a platform for both amateur and professional actors to showcase their talents.
1927
1927
1927–1928 Season
The season included Captain Applejack, A Woman's Way, The Stranger, The Learned Ladies, The Knife, and Pomeroy's Past. This season was performed at Beethoven Hall downtown, under the direction of Carl Glick. Beethoven Hall is now known as Magik Theatre.
1927
1928
1928–1929 Season
The season included The Importance of Being Earnest, El Gran Gallato, Her Husband's Wife, A Doll's House, and A Queen's Husband, under the direction of Carl Glick
1928
1929
1929–1930 Season
The season included The Honor of the Family, Mrs. Bumpstead-Leigh, The Swan, Prunella, and Gold in the Hills, or the Dead Sister's Secret, under the direction of Carl Glick.
1929
1929
A New Beginning with a New Building
New director Carl Glick spearheaded the search for a building site for a permanent theater, with Mount Rushmore sculptor Gutzon Borglum, who wintered in San Antonio, being a special consultant on this project. The site selected was in historic San Pedro Park (second oldest public park in the United States) on the then northern outskirts of town.
1929
1930 Opening Program-13
1930
Grand Opening — The Swan Takes Flight
The opening production was an elegant extravaganza, "The Swan," and bore its dramatics backstage as well. The fire chief threatened to shut down the play opening night when it was discovered there was no inspection certificate. Influential theater supporters stormed the mayor's office and the show went on with fire engines, ambulances and emergency vehicles standing by and firemen armed with extinguishers backstage.
1930
1930
1930–1931 Season
The season included The Bad Man, This Thing Called Love, Escape, Candida, The Perfect Alibi, Aren't We All, and The Guardsman, under the direction of Carl Glick.
1930
1931
1931–1932 Season
The season included Enter, Madame; Daddies; Lady Windermere's Fan; and The Torch-Bearers, under the direction of Coates Gwynne
1931
1932
1932–1933 Season
With the Great Depression, less productions this season.The season included Holiday; Louder, Please; Skidding; and The Donovan Affair, under the direction of Coates Gwynne
1932
1933
1933–1934 Season
The season included Private Lives, The 19th Hole, Death Takes a Holiday, Ladies Night,and The Ninth Guest .
1933
1934
1934–1935 Season
The season included Biography, Arms and the Man,The Animal Kingdom Sun-Up, and Dark Victory, under direction of Frank Beckwith
1934
1935
1935–1936 Season
The season included Ceiling Zero, Candle-Light, The Dark Tower, Night Over Taos, and The Shining Hour. Frank Beckwith was named Managing Director.
1935
1936
1936–1937 Season
The season included Yellow Jack, Alien Corn, Bear Brutus, Roadside, The Night of January 16th, and Accent on Youth.
1936
1937
1937–1938 Season
The season included The Front Page, The Second Man, Both Your Houses, Blind Alley, Goodbye Again, and Stage Door . Joe Clay Roberts named Producing Director.
1937
1938-10 - Room Service - Cover
1938
1938–1939 Season
The season included Room Service, Libel, As Husbands Go, The Petrified Forest, The Cat and the Canary, and Once in a Lifetime.
1938
1939
1939–1940 Season
The season included Boy Meets Girl, The Amazing Dr. Clitterhouse, Penny Wise , The Last Mile, What a Life and Personal Appearance.
1939
1940
1940–1941 Season
The season included Margin for Error, Three Men on a Horse, Kind Lady A Slight Case of Murder, Outward Bound, and You Can't Take it With You.
1940
1941
1941–1942 Season
The season included The Male Animal, The Unguarded Hour, George Washington Slept Here, Mr. & Mrs. North, The Ghost Train, and Hay Fever.
1941
1945-Accent on Youth - Cover
1945
Special Performance
Accent on Youth was performed during the troubled times of World War II, when most productions were suspended. Despite the challenges and uncertainties of the era, it was directed with remarkable resilience and creativity by Leanora Ann Thompson. Her leadership and vision brought the production to life, offering audiences a much-needed escape and a glimpse of hope during those dark times.
1945
1946
1946–47 Season
The season included My Sister Eileen, Double Door, Skylark, George and Margaret, The Great Magician, and Guest in the House. William Courneen named Producing Director.
1946
1948-Laura -Cover
1947
1947–48 Season
The season included Dear Ruth, Ten Little Indians, The Philadelphia Story, Shadow and Substance, Laura, and Suds in Your Eye. Jean Longwith named Producing Director.
1947
1948
1948–49 Season
The season included The Women, Night Must Fall, Junior Miss, Command Decision, Rebecca, and John Loves Mary.
1948
Joe Salek
1949
Joe Salek Named Producing Director
Over the years, a number of directors have steered the theater, but none had such far-reaching influence as Joe Salek, who took the helm in the late '40s for several decades. Salek was responsible for SALT's reclaiming the San Pedro Playhouse, whose occupancy by the group had been lost in the years prior to his arrival. (The building is now leased from the city of San Antonio.) Salek created a monthly newsletter (The SALT Shaker) and drama school.
1949
1949
1949–50 Season
The season included The Time of Your Life; Fashion, or Life in New York; Blithe Spirit; The Gentleman From Athens; Ladies in Retirement;and Everyman.
1949

The Golden Years | from 1950 to 1975

From 1950 to 1975, the San Pedro Playhouse, initially known as the San Antonio Little Theatre, solidified its role as a key player in the local arts scene. Under the direction of Joe Salek and others, the theater expanded its offerings and established a drama school, fostering local talent and community engagement. This period also saw the introduction of more experimental and innovative productions, enhancing the theater’s reputation. The theater faced challenges, including financial difficulties, but community support and volunteer efforts kept it operational. The theater’s commitment to providing diverse theatrical experiences laid the groundwork for its future success, leading to significant growth and artistic achievements.

1952 - Scene from Rope
1950
1950–51 Season
The season included Born Yesterday; Rope; The Rivals; The Madwoman of Chaillot; and Goodbye, My Fancy.. The picture is a scene from the production Rope.
1950
1951
1951–52 Season
The season included Over Twenty-One, The Curious Savage, Pygmalion, Detective Story, Claudia, and The Happy Time.
1951
1952
1952–53 Season
The season included The Play's the Thing; Our Town; Angel Street; Two Blind Mice; Stage 17; and Kiss Me, Kate.
1952
1953
1953–54 Season
The season included Bell, Book, and Candle; One Foot in Heaven; Mister Roberts; The Time of the Cuckoo; The Crucible; and Paint Your Wagon.
1953
1954
1954–55 Season
The season included The Moon is Blue, My 3 Angels, The Man, Sabrina Fair, Mrs. McThing, and Call Me Madam.
1954
1955
1955–56 Season
The season included Gold in the Hills, Caine Mutiny Court Martial, The Remarkable Mr. Pennypacker, The Tender Trap, The Guilty, and Oklahoma!
1955
1956
1956–57 Season
The season included The Perils of Pamona, The Solid Gold Cadillac, Candida, The Seven Year Itch, Witness for the Prosecution, and Guys and Dolls.
1956
1957
1957–58 Season
The season included The Boyfriend Janus, Teahouse of the August Moon, A Streetcar Named Desire, Bus Stop, and Plain and Fancy.
1957
1958
1958–59 Season
The season included The Drunkard, The Matchmaker, Chalk Garden, Visit to a Small Planet, The Man Who Came to Dinner, and Damn Yankees.
1958
1959
1959–60 Season
The season included Brigadoon, The Tunnel of Love, Separate Tables, The Women, The Devil's Disciple, and Charley's Aunt.
1959
1960
1960–61 Season
The season included South Pacific, You Can't Take it With You, Romanoff and Juliet, Gigi, Auntie Mame, and Lady Audley's Secret.
1960
1961
1961–62 Season
The season included Bells Are Ringing; The Hasty Heart; Once More, With Feeling; No Time for Sergeants; Anastasia; and Murder in the Barn.
1961
1962
1962–63 Season
The season included Gentlemen Prefer Blondes; Write Me a Murder; Come Back Little Sheba; Marriage-Go-Round; The Apollo of Bellac; The Bald Soprano; and Curse You, Jack Dalton.
1962
Tryout Annie 63
1963
1963–64 Season
The season included Annie Get Your Gun; A Shot in the Dark; Becket; Life With Father; Take Her, She's Mind; The Nights in the Bar Room; Dark of the Moon; The Man Who Married the Dumb Wife and Lysistrata.
1963
1963 - Addition to the Playhouse-min
1963
Theater Expansion
In 1963, the Cellar Theater was added on to the western side of the building, including a dance studio, scenic shop, and dressing rooms.
1963
1965 - Oklahoma
1964
1964–65 Season
The season included John Brown's Body, Under the Yum-Yum Tree, My Fair Lady, Harvey, Volpone or The Fox (a new adaptation), A Thousand Clowns, Six Characters in Search of an Author, East Lynne and Show String Revue V, and Oklahoma!
1964
1965
1965–66 Season
The season included The Music Man, The Miracle Worker, Barefoot in the Park, A Man for All Seasons, Send Me No Flowers, Love Rides the Rails, Will the Mail-Train Run Tonight, and The Sound of Music.
1965
1966 - Forum (w Frank Christian)
1966
1966–67 Season
The season included A Funny Thing Happened on the Way to the Forum, The House of Bernarda Alba, Any Wednesday, Roshomon, and Barefoot in the Park.
1966
1968
1968–69 Season
The season included The Madwoman of Chaillot, Private Lives, Generation, The Lion in Winter, The Night of January 16th, and Gypsy.
1968
1970
1970–71 Season
The season included The Unsinkable Molly Brown, Don't Drink the Water, Born Yesterday, The Prime of Miss Jean Brodie, and Hadrian VII.
1970
1972 - Boys in the Band
1971
1971–72 Season
The season included Mame, The Boys in the Band, Adaptation, Next, Plaza Suite, and The Best Man.
1971
1972
1972–73 Season
The season included Fiddler on the Roof, Cat on a Hot Tin Roof, The Day It Rained Forever, The Typist, The Front Page, Promenade, Terrifying Inheritance,and Romeo and Juliet.
1972
1973 - Kiss Me Kate
1973
1973–74 Season
The season included Kiss Me, Kate; Saint Joan; Never Too Late; Pope; Thieves Carnival, Everything in the Garden, Second Shepherd's Play, Flowers for the Trashman, and Johnnas
1973
1973
Romeo & Juliet
A legendary production of "Romeo & Juliet" is staged at the San Pedro Playhouse, featuring a circus setting with trapeze and "big top."
1973
1974
1974–75 Season
The season included Nugget Nell of Poker Flat, Last of the Red Hot Lovers, Anastasia, That Championship Season, Oliver, The Cole Porter Review, The Would-be Gentleman, and One Flew Over the Cuckcoo's Nest.
1974
1975
1975–76 Season
The season included George M; Berlin to Broadway with Kurt Weill, Uncle Vanya; Godspell; El Grande de Coca-Cola; No, No Nanette; Knock or the Triumph of Medicine; and Miss Reardon Drinks a Little.
1975

In 1963, San Pedro Playhouse underwent a major expansion that significantly enhanced its facilities to support its growing productions. This development included the addition of a scenic shop for constructing and painting sets, allowing for more elaborate stage designs. New dressing rooms provided improved preparation spaces for larger casts, while administrative offices centralized operations for better management and coordination. The inclusion of a loading dock streamlined the transportation of sets and equipment. Additionally, the expansion introduced the Cellar Theater, now known as Classic Theatre, a versatile performance space that became essential for hosting intimate productions and experimental works, enriching the theatre community with innovative and classic plays that engage and challenge audiences.

The Musical Boom | From 1976 to 1999

Between 1974 and 1999, the San Antonio Little Theatre, later renamed San Pedro Playhouse, experienced a series of milestones that significantly shaped its future. The 1970s saw the introduction of a revised historic districts and landmarks ordinance, bolstering preservation efforts, including the eventual restoration of San Pedro Playhouse. In 1974, the Conservation Society of San Antonio moved into its new headquarters, laying the groundwork for local arts advocacy​. During the 1980s and 1990s, the Playhouse continued to grow as a central hub for theater in San Antonio, hosting numerous acclaimed productions and establishing itself as a vital community asset. In 1994, the Conservation Society pledged $300,000 toward its restoration, further cementing its status as a historical and cultural landmark​. This era laid a robust foundation for its eventual transformation into San Pedro Playhouse.

1976
1976–77 Season
The season included Dial M for Murder, Forty Carats, Come Blow Your Horn, Come Back Little Sheba, and Don't Drink the Water. Jerry L. Pollock is named Director of Theatre.
1976
1977
1977–78 Season
The season included Lil' Abner Prisoner of Second Avenue, Broadway In Revue, The Mousetrap, Blithe Spirit, Death of a Salesman, Jacque Brel is Alive and Well and Living in Paris, and Table Manners.
1977
1978
1978–79 Season
The season included Oklahoma!, Life With Father, Wait Until Dark, Applause, Of Mice and Men, and 110 in the Shade.
1978
1979
1979–80 Season
The season included South Pacific; Equus; Man of La Mancha; Finnian's Rainbow; Ten Little Indians; and Hello, Dolly!
1979
1980
1980–81 Season
The season included The Music Man, The Runner Stumbles, My Fair Lady, Gypsy, Tribute, and West Side Story.
1980
1981
1981–82 Season
The season included The King and I, Anne of the Thousand Days, The Elephant Man, Jesus Christ Superstar, Dracula, and Showboat.
1981
1982
1982–83 Season
The season included Camelot; The Bad Seed; Lonestar, Laundry, and Bourbon; Joseph and the Amazing Technicolor Dreamcoat; The Gin Game; and Oliver.
1982
Playbills from the 80s5
1983
1983–84 Season
The season included Anything Goes, A Christmas Carol, A Man for All Season, Ain't Misbehavin', Effects of Gamma Rays, Kismet, and Dr. Cook's Garden.
1983
1984
1984–85 Season
The season included Guys and Dolls, A Christmas Carol, Cat on a Hot Tin Roof, Pippin, Morning's at Seven, Barnum, The Ballad of the Sad Café, The Saving of Sister Posey, Medal of Honor Rag, and All Aboard. Wayne Elkins is named Managing & Artistic Director.
1984
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1984
Wayne Elkins Named Managing Artistic Director
Wayne Elkins was appointed Managing Artistic Director of the San Antonio Little Theatre, marking a pivotal moment for the theatre community. With his innovative vision and commitment to the arts, Elkins brought a fresh perspective to the institution. He made his mark with a memorable production of Romeo and Juliet, set in a modern urban environment. The contemporary staging featured striking visuals, highlighting timeless love, conflict, and fate themes. Elkins’s bold direction infused new life into the characters, resonating deeply with modern audiences and drawing praise for its emotional impact. Under his leadership, the theater embraced a new era of creativity and artistic excellence.
1984
Playbills from the 80s
1985
1985–86 Season
The season included The Dining Room, Peter Pan, The Dresser, Carnival, The Supporting Cast, Pirates of Penzance, Two Summers at Diodati, Shakespeare Live, Geniuses, Flung Roses, 'Night Mother, Father's Day, and Buried Child.
1985
1986
1986–87 Season
The season included Kiss Me, Kate; Cinderella; Noises Off; Fiddler on the Roof; Who's Afraid of Virginia Woolf; Mame; Adieu, Jacques; The Kansas Open; and Jesse and the Bandit Queen.
1986
1987
1987–88 Season
The season included The Foreigner; Annie; How the Other Half Loves; Damn Yankees; and Night of the Iguana.
1987
1988
1988–89 Season
The season included 42nd Street, Greater Tuna, Once Upon a Mattress, Basically Berlin, Funny Girl, Give 'em Swing Chapter Two, The Mystery of Edwin Drood, Ben Bagley's: The Decline and Fall of the Entire World as Seen Through the Eyes of Cole Porter, First Night, The Immigrant, All My Sons, The Belle of Amherst, End of the World/Sym, Delicate Balance, and Duck Variations/Zoo Story. Frances W. W. Elborne named Managing Director.
1988
1989
1989–90 Season
The season included The Sound of Music, The Wizard of Oz, Some Enchanted Evening, Broadway Bound, Steel Magnolias, Musical Comedy Murders of 1940, The Mikado, Zoo Story & Duck Variations, Painting Churches, The True Story of Cinderella, Family Business, An Evening with Noel Coward, Decline and Fall/Porter, and True West.
1989
1990
1990–91 Season
The season included Oklahoma!, Oliver, Daddy's Dyin' Who's Got the Will?, Rodgers & Hart - A Celebration!, Situation Comedy, My Fair Lady, The Cocktail Hour, A Brief History of American Song, School for Scandal, Talk Radio, and Eastern Standard.
1990
1991
1991–92 Season
The season included Annie Get Your Gun, The King and I, Something for the Boys, Cemetery Club, A Little Night Music, Sensibility and Sense, The Gifts of the Magi, The Importance of Being Earnest, and Other People's Money.. Vivienne Elborne named Production Coordinator.
1991
1992
1992–93 Season
The season included South Pacific, The Music Man, Our Town, Nunsense, Guilty Conscience, H.M.S. Pinafore, The Trip to Bountiful, Jane Austen Never Slept Here, Estherella , and Rope..
1992
1993
1993–94 Season
The season included Brigadoon, Annie, Nunsense II, Lettice and Lovage, Sweeney Todd, Love Letters, 84 Charing Cross Road, and Oldest Living Graduate..
1993
1994
1994–95 Season
The season included Guys and Dolls, Peter Pan, Anastasia, Something's Afoot, On the Twentieth Century,, Eleemosynary, Beau Jest, and Prelude to a Kiss.
1994
1995
1995–96 Season
The season included The Secret Garden, Annie Warbucks, Jerry's Girls, The Fantasticks, The Sisters Rosenweig, The Sound of Music, Monday After the Miracle Nice People Dancing to Good Country Music, Three Divas and Deb, and The Love Song of Alex Vandenberg.
1995
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1996
Vivienne Elborne Named Artistic Director
Vivienne Elborne's tenure as Artistic Director at San Pedro Playhouse was marked by a vibrant and transformative period for the theater. Previously, she had served as Production Coordinator, where she developed a deep understanding of the theater's operations and artistic vision. As Artistic Director, Elborne brought dynamic programming to the stage, directing notable musicals such as Evita; Hello, Dolly!; Sweeney Todd; Titanic; A Chorus Line; and Stephen Sondheim's A Little Night Music. Her contributions also included performing in Peter Pan on two occasions, highlighting her versatility. Elborne’s leadership elevated the theater’s profile, blending classic and contemporary works and fostering strong community engagement through her innovative approach. In addition to her artistic achievements, Elborne played a crucial role in guiding the theater through a major renovation in 2001. This significant project modernized the facilities and enhanced the overall audience experience, ensuring that San Pedro Playhouse could continue to thrive as a cultural landmark. Her commitment to both the artistic and operational aspects of the theater was instrumental in navigating this period of change and revitalization.
1996
1996
1996–97 Season
The season included George M, Cinderella, The Merchant of Venice, Nunsense, The Heiress, Fiddler on the Roof, Zelda - The Last Flapper, and Talley's Folly. Francis W. Elborne was named Executive Director, and Vivienne Elborne was named Artistic Director.
1996
1997
1997–98 Season
The season included Oklahoma!, The Wizard of Oz, The Lion in Winter, Side by Side by Sondheim, Moon Over Buffalo Phantom, Fools, Love Letters, Blithe Spirit and Voices of the Future.
1997
1998
1998–99 Season
The season included Little Shop of Horrors, The King and I, Forever Plaid, Man of La Mancha, The Lone Star Love Potion, My Fair Lady, The Perils of Chastity, Educating Rita, A Christmas Melocarol, Private Lives, and When Angels Fall.
1998
1999
1999–2000 Season
The season included A Funny Thing Happened on the Way to the Forum, Annie, The Odd Couple, Nunsense, South Pacific, Evita, Uncle Harry, Talking With, Pirates of Penzance, and The Elephant Man.
1999

The renovation of the San Pedro Playhouse, completed in 2001, was a significant project that began in the early 1990s and involved numerous stakeholders. This $4.5 million restoration transformed the historic theater, ensuring its continued role as a cornerstone of San Antonio’s cultural landscape. Vivienne Elborne played a pivotal role in guiding the restoration, bringing her extensive experience and passion for theater to the project. Her leadership, alongside her husband Francis W. Elborne, was instrumental in navigating the complex process of securing funds and coordinating the efforts of various contributors. The restoration initiative also involved dedicated individuals like Kim Ford and Byrd Bonner, with many volunteer chairs contributing over the years. Key organizations like the Conservation Society of San Antonio helped preserve the Playhouse’s historic integrity, while the Meadows Foundation contributed $500,000. Additionally, the City of San Antonio provided significant funding through a bond issue. Spanning over a decade, the restoration project was a testament to the dedication and collaboration of the San Antonio arts community, ensuring that the San Pedro Playhouse remained a vibrant part of the city’s cultural heritage.

The Modern Era | From  2000 to 2024

From 2001 to 2024, the San Pedro Playhouse, originally the San Antonio Little Theatre, underwent significant changes, including a major renovation of the Russell Hill Rogers Theater in 2001. This renovation modernized the space, enhancing the theatrical experience for audiences and performers. In 1997, the theater was renamed San Pedro Playhouse. It rebranded again in 2012 as The Playhouse San Antonio to align with its expanding mission and community role. The theater became The Public Theater of San Antonio in 2018, emphasizing its commitment to public engagement. In 2024, it returned to the name San Pedro Playhouse to honor its heritage. A successful fundraising campaign in 2024 exceeded its $500,000 goal by raising $800,000, ensuring continued support for its productions.

2000
2000–01 Season
The season included Zorba; Scrooge; The Glass Menagerie; Sweeney Todd; Hello, Dolly!; Agnes of God; Crimes of the Heart; Blazing Guns at Roaring Gulch; and Betrayal. The theater goes through a major renovation in the spring of 2001. The main stage is renamed The Russell Hill Rogers Theater.
2000
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2000
The Theater Starts Plans for Renovations
In 2000, San Pedro Playhouse initiated plans for a major renovation, which included the installation of new stage equipment, an advanced lighting system, and an upgraded tech booth. The lobby was redesigned to enhance patron comfort, and the orchestra pit was expanded and improved to accommodate a wider range of performances. These updates marked a significant milestone for the theater, enhancing its technical capabilities and overall audience experience. The renvoation was complted in the summer of 2001.
2000
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2000
DiAnn Sneed Named Executive Director
In 2000, San Pedro Playhouse announced Di Ann Sneed as its new Executive Director. Sneed’s leadership was crucial in navigating the organization's significant renovation period and transition between two artistic directors. Her extensive experience and dedication helped guide the theater through a transformative phase, ensuring continued growth and success for the San Pedro Playhouse.
2000
2001
2001–02 Season
The season in the Russell Hill Rogers Theater included: A Chorus Line, Babes in Toyland, Amadeus, Titanic, She Loves Me, and West Side Story. In the Cellar Theater, it included: Fuddy Meers, Death of a Salesman, The Octette Bridge Club, Scotland Road, Art, and Over the River and Through the Woods.
2001
2002
2002–03 Season
The season in the Russell Hill Rogers Theater included A Little Night Music, The Wizard of Oz, A Streetcar Named Desire, Guys and Dolls, Jesus Christ Superstar, and Camelot. In the Cellar Theater, it included Of Mice and Men; Dark Horse, Pale Rider; Art; As Bees in Honey Drown; The Laramie Project; and Three Days of Rain.
2002
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2003
Frank Latson Named Artistic Director
Frank Lastson took over the artistic vision of the San Pedro Playhouse, steering the theater through a decade of remarkable productions. Under his leadership, the Playhouse witnessed a renaissance, becoming a beacon of theatrical excellence in the community. He directed numerous acclaimed plays and musicals, each one reflecting his unique artistic sensibility and commitment to high-quality performance. Among the notable productions were his innovative renditions of The Hairy Ape, Angels in America, Sky Girls, and City of Angels, which garnered both critical and audience acclaim. His tenure also saw the introduction of bold, contemporary works that pushed the boundaries of traditional theater, including The Light in the Piazza, Curtains, and Take Me Out. Classic musicals like Carousel and Oklahoma! were revitalized under his direction, alongside the sophisticated charm of Victor/Victoria and the dramatic depth of The Woman. Lastson's decade-long stewardship not only elevated the Playhouse's reputation but also enriched the region's cultural fabric, leaving an indelible mark on its history.
2003
2003
2003–04 Season
The season in the Russell Hill Rogers Theater included Jekyll and Hyde, Cinderella, Cabaret, Night of the Iguana, Big River, and Footloose. In the Cellar Theater, it included How I Learned to Drive, Hospitality Suite, The Hairy Ape, Stones in His Pockets, The Mystery of Irma Vep, and Lobby Hero.
2003
2004
2004–05 Season
The season in the Russell Hill Rogers Theater included Angels in America: Millenium Approaches Angels in America: Perestroika Disney's Beauty and the Beast, Route 66, Sky Girls, City of Angels,and Damn Yankees. In the Cellar Theater, it included The Mikado, Valley Song, Santos y Santos, Book of Days, and Gross Indecency: The Three Trials of Oscar Wilde.
2004
2005
2005–06 Season
The season in the Russell Hill Rogers Theater included Gypsy; Meet Me in St. Louis; The Best Little Whorehouse in Texas; Ah, Wilderness; Dreamgirls; and Carousel. In the Cellar Theater, it included Omnium Gatherum, Greetings!, Intimate Apparel, Patience, and Anna in the Tropics. It was the first season Shakespeare in the Park was produced, with A Comey of Errors as its first title.
2005
2006
2006–07 Season
The season in the Russell Hill Rogers Theater included Aida, Once Upon a Mattress, Hair, Victor Victoria, and Brigadoon. In the Cellar Theater, it included Moonlight and Magnolias, Brilliant Traces, I Am My Own Wife, Enchanted April,and Electricidad. Hamlet was produced for Shakespeare in the Park.
2006
2007
2007–08 Season
The season in the Russell Hill Rogers Theater included Zombie Prom, Here's Love (The Miracle on 34th Street musical), The Full Monty, Crowns, State Fair, and Thoroughly Modern Millie. In the Cellar Theater, it included The Pillowman, The Women, Fully Committed, Journey's End, and Among the Sand and Smog. A Midsummer Night's Dream was produced for Shakespeare in the Park.
2007
2008
2008–09 Season
The season in the Russell Hill Rogers Theater included A Funny Thing Happened on the Way to the Forum, A Christmas Carol: The Musical, Altar Boyz, The Pajama Game, Man of La Mancha, and The Sound of Music. In the Cellar Theater, it included Third, El Grande de Coca-Cola, SAT Playwrights Playfest, No. 5, TopDog/Underdog and Take Me Out. The Trojan Women was produced for Shakespeare in the Park.
2008
2009
2009–10 Season
The season in the Russell Hill Rogers Theater included Evita; A Christmas Carol: The Musical; Beehive, the 60s Musical; Curtains; The Nerd; and The Music Man. In the Cellar Theater, it included The History Boys; Almost, Maine; SAT Playwrights Playfest 2010; Betrayed; and Mourning Dove.
2009
2010
2010–11 Season
The season in the Russell Hill Rogers Theater included A Chorus Line, A Christmas Carol: The Musical, Mame, The Light in the Piazza, Dirty Rotten Scoundrels, and The Kind and I. In the Cellar Theater, it included The Carpetbagger's Children, Homegrown Tomatoes, Vanities, SAT Playwrights Playfest 2011, Untitled (or whatever you call it) & Prozac and Cheez Doodles, Corpus Christi, and Wild Oats.
2010
2011
2011–12 Season
The season in the Russell Hill Rogers Theater included Xanadu; A Christmas Carol: The Musical; Oklahoma!; Sinatra, The Man and His Music; My Fair Lady; The Drowsy Chaperone; and Hello, Dolly! In the Cellar Theater, it included Time Stands Still Playfest 2012, Superior Donuts, Cries that Bind, In the Next Room or The Vibrator Play, and The Little Dog Laughed
2011
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2012
Asia Ciaravino Named President & CEO
Asia Ciaravino is named President & CEO of the organization. Significant contributions included renaming and branding the theater from San Pedro Playhouse to The Playhouse of San Antonio and developing and expanding the education program.
2012
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2012
Centennial Celebration — 100 Years of Theatre
The theater celebrated 100 years of theater in San Antonio, marking a century of artistic evolution and community impact. Beginning as the San Antonio Dramatic Club in 1912, it grew into a major contributor to the city's vibrant arts scene over the decades. The centennial celebration was spearheaded by Asia Ciaravino, Frank Latson, and the theater’s dedicated board, who worked together to honor the rich history and significant contributions of the theater. This momentous event highlighted the theater's transformative journey and its enduring influence on the cultural landscape of San Antonio.
2012
2012
2012–13 Season
The season in the Russell Hill Rogers Theater included Greater Tuna, Annie, Roads Courageous, Spring Awakening, and Ragtime. In the Cellar Theater, it included November, The Santaland Diaries & Season's Greetings, PlayFest 2013, Red and Picnic.
2012
2013
2013–14 Season
The season in the Russell Hill Rogers Theater included Les Miserables, Guys & Dolls, Company, Funny Girl, and The Who's Tommy. In the Cellar Theater, it included Wittenberg Venus in Fur, Clybourne Park, and Dead Man's Cell Phone .
2013
2014
2014–15 Season
The season in the Russell Hill Rogers Theater included The Wizard of Oz, Fiddler on the Roof, Gypsy, The Mystery of Edwin Drood, and Grease. In the Cellar Theater, it included End of the Rainbow, The Last Five Years, Crime & Punishment, 4000 Miles, and Water by the Spoonful.
2014
2015
2015–16 Season
The season in the Russell Hill Rogers Theater included The Music Man, A Christmas Carol, Jesus Christ Superstar, A Chorus Line, and The Best Little Whorehouse in Texas. In the Cellar Theater, it included Of Mice and Men, Stage Kiss, Reasons to be Pretty, Tribes, and Two Sisters and a Piano.
2015
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2016
George Greene Named CEO & Artistic Director
George Green is named CEO & Artistic Director, where he made several key contributions. He successfully secured Actors' Equity contracts for the theater and its actors. Under his leadership, the theater hosted top-selling productions, including Disney's Mary Poppins , which became a major highlight of the season.
2016
2016
2016–17 Season
The season in the Russell Hill Rogers Theater included Disney's Beauty and the Beast, All Is Calm: The Christmas Truce of 1914, The Secret Garden, Urinetown, and Hairspray. In the Cellar Theater, it included The Glass Menagerie, Fool for Love, Disgraced, and Crimes of the Heart.
2016
2017
2017–18 Season
The season in the Russell Hill Rogers Theater included The Hunchback of Notre Dame, All Is Calm: The Christmas Truce of 1914, Little Women, If/Then, The Bridges of Madison County, and Mamma Mia! In the Cellar Theater, it included Constellations, A Bright New Boise Wit, The Balcony, Hand to God, Assassins, and Aye, No! (co-produced with Teatro Audaz San Antonio).
2017
2018
2018–19 Season
The season in the Russell Hill Rogers Theater included Disney's Newsies The Musical, All Is Calm: The Christmas Truce of 1914, Rent, Million Dollar Quartet, Once, and Matilda The Musical.In the Cellar Theater, it included Fun Home; An Infinite Ache; Daddy Long Legs; Freud's Last Session; Sink, Florida, Sink; and Real Women Have Curves.
2018
2020
2019–20 Season
The season included Mary Poppins, Elf The Musical, All Is Calm, A Gentleman's Guide to Love, and Murder.. The rest of the season was canceled due to the pandemic in 2020.
2020
2020
2020–21 Season
The season included Buyer and Cellar, Squeamish, Fully Committed, and Thurgood.
2020
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2020
Theatre Goes Virtual due to Pandemic
The season featured productions such as Buyer and Cellar, Squeamish, Fully Committed, and Thurgood. Of these, Buyer and Cellar was the only production performed live at the theater and was streamed online, allowing patrons to watch from the comfort and safety of their homes.
2020
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2021
Claudia De Vasco Named Executive Artistic Director
Claudia De Vasco is named Executive Artistic Director and made significant contributions during her tenure. She led DEIA (Diversity, Equity, Inclusion, and Accessibility) initiatives, which were reflected on stage through inclusive hiring practices, diverse casting, and the appointment of directors from varied backgrounds. She also focused on new works at the theater and invited guest directors from across the country. Additionally, she implemented a dedicated land acknowledgment for the theater and parkland, directed the state premiere of American Mariachi,and was instrumental in revitalizing productions in the Cellar Theater.
2021
2021
2021–22 Season
The season included Tick, Tick...Boom!, Season's Greetings from San Antonio, 35MM: A Musical Exhibition, She Loves Me, and Once on this Island: A Musical.
2021
2022
2022–23 Season
The season included American Mariachi, A Christmas Carol The Musical, Nina Simone: Four Women, The Pajama Game, Footloose, and Merrily We Roll Along.
2022
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2023
A New Chapter in Leadership
The Public Theater of San Antonio, the oldest-running theater company in Texas, announced a new leadership model featuring an executive team of three directors with a President & CEO overseeing the organization's overall direction. This reorganization balances priorities for artistic experience, audience engagement, and sound business practices. J. Robert “Jimmy” Moore, the new Producing Artistic Director, set to guide the theater’s artistic vision, drawing on his extensive experience across regional theaters. Rick Sanchez, named Director of Marketing and Audience Experience, set to leverage his 22-year history with the theater and background in marketing at ZACH Theatre. Christina Casella returned as the new Managing Director, focusing on development and operations, while Asia Ciaravino, a seasoned nonprofit leader, will serve as President & CEO, bringing her extensive experience in community-driven organizations back to the theater.
2023
2023
2023–24 Season
The season included 111 Years & Counting!, On Golden Pond, A Christmas Carol: A Ghost Story, A Raisin in the Sun, Midsummer Sueño, West Side Story, The Boys in the Band, and The Wizard of Oz.
2023

special contribution to archives 

The cataloging and collection of San Pedro Playhouse archives could not have been preserved or accomplished over the years without special contributions to theater, especially groups like the SALT Pillars and recent contributions from Susan Breidenbach. Today, all print archives of the theater are under the protection of UTSA Archives.

MAKE HISTORY

PRESERVE A LEGACY

For decades, San Pedro Playhouse has stood as the flagship theater in San Antonio. As a guardian of theatrical history, its legacy is one of preservation and innovation, where every production echoes the rich tapestry of its past. 

Today, as it proudly embraces its original name and collaborates with Classic Theatre, the San Pedro Playhouse continues to be the destination where all roads in San Antonio’s vibrant theater community lead back to.

Take a Seat

Address

ADDRESS

800 West Ashby Place
San Antonio, Texas 78212

OFFICE PHONE

OFFICE PHONE

(210) 733-7258

hours

HOURS

Tuesday – Friday: 12 - 5 p.m.
(During the week the Box Office is available by phone only.)

Show Nights: The Box Office opens one hour prior to show time. Walk-up ticket sales are permitted, if seats are available.

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